ARRI AMIRA up to 200fps 4K versatile documentary-style cameraARRI AMIRA up to 200fps 4K versatile documentary-style camera

ARRI AMIRA up to 200fps 4K versatile documentary-style camera

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AMIRA most economical versatile documentary-style camera

Based on 35mm CMOS sensor, ARRI AMIRA’s exceptional quality is based mainly on use of large pixels and Dual Gain Architecture (DGA). The result is high sensitivity, wide exposure latitude and low crosstalk therefore it can capture more light with lower noise.

This camera produces superior image quality with the organic look and feel of film. Combining exceptional quality with affordable CFast 2.0 workflows and ergonomic design optimised for single operator makes this very versatile option.

AMIRA’s dynamic range of more than 14 stops, subtle highlight handling, low noise levels, astonishing skin tones, natural colour rendering will deliver beautiful and authentic images.

A vast selection of cinema lenses are available for ARRI AMIRA, some of the recommended lenses would include a Fujinon Cabrio 19-90mm lens or a Canon CN7 17-120mm lens.


  • Same 35 mm sensor as ALEXA
  • HD 1920×1080, 4K UHD 3840×2160 (with license)
  • 14+ stops of dynamic range
  • Optimized for the single operator
  • OLED eyepiece and fold-away LCD monitor
  • Upgradeable hardware and software
  • Choice of (PL / B4 2/3”/ EF) lens mounts via upgrades

If you are interested in the camera for more serious jobs, have a look at ALEXA SXT W which is currently top-of-the-range of ARRI system.

Sensor Type35mm format ARRI ALEV III CMOS (28.17×18.13)
Sensor Pixel Count3200×1800 (4K UHD, 3.2K) 2880 x 1620 (HD), 2868 x 1612 (2K), for monitoring with surround area: 3168 x 1772 (HD), 3154×1764 (2K), 3414 x 2198 (4K UHD, 3.2K)
Recording Pixel Count1920 x 1080 ProRes HD, MPEG 2 and HD outputs, 2048 x 1152 ProRes 2K, 3200 x 1800 ProRes 3.2K*, 3840 x 2160 Pro Res 4K UHD and UHD outputs*
Lens MountsPL mount w/ Hirose connector and LDS, B4 mount w/ Hirose connector, EF mount, PL mount titan (ALEXA Mini)
ShutterElectronic shutter, 5.0° to 356.0°
Exposure IndexAdjustable from EI 160-3200 in 1/3 stops (EI 800 base sensitivity)
Exposure Latitude14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Audio Recording4 channels, 24 bit PCM, 48 kHz
Integrated motorized ND FiltersFSND 0.6, 1.2, 2.1
Sound Level< 20 dB(A)
Weight~ 4.1 kg/9.2 lbs (camera body with PL Lens mount)
DimensionsLength: 309mm/12.1″, width: 139 mm/5.4″ , height: 149mm/5.8″ (camera body with PL lens mount)
Environmental-20° C to +50° C (-4° F to +122° F) @ 95% humidity max, non-condensing, splash and dust-proof through sealed electronics
ViewfinderAMIRA Multi Viewfinder MVF-1 (OLED and LCD) with flip-out LCD screen,
Camera Control Panel (CCP-1) LCD control panel with option to daisy-chain MVF-1
Outputs Video2x HD-SDI outputs: 1.5G, (dual) 3G and (dual) 6G; uncompressed HD/UHD video with embedded audio and metadata
Outputs Audio3,5mm headphone jack, Bluetooth audio
Outputs PowerHirose 12pin (for ENG type zoom lenses); 12V: D-tab, Hirose 4pin, Lemo 2pin; 24V: RS 3pin
InputsGenlock, HD-SDI**, Timecode (In and Output), all BNC
Other InterfacesUSB 2.0: For importing and storing AMIRA Look Files, user set up files, frame line files and feature license keys. Stores captured still image formats in DPX (.dpx, 10 bit) or JPEG (.jpg, 8 bit) format. Stores log files. Also used for installing Software Update Packets (SUPs.; Ethernet LAN RJ-45 for camera remote control.
Recording Media
Supported CFast 2.0 memory cards
SanDisk Extreme Pro CFast 2.0 60 GB (SDCFP-060G) – NOT supported in ALEXA Mini
SanDisk Extreme Pro CFast 2.0 120 GB (SDCFP-120G)
SanDisk Extreme Pro CFast 2.0 128 GB (SDCFP-128G, Version A, B)
Lexar 3600x CFast 2.0 128 GB (LC128CRBxx3600)
Lexar 3600x CFast 2.0 256 GB (LC256CRBxx3600)

Note: SanDisk 128 GB Version D cards currently are not tested/supported in AMIRA or ALEXA Mini.

Recording FormatsHD 1920×1080 (interlaced & progressive)
3.2K ProRes 3200×1800*
4K UHD 3840×2160*
Recording Framerates0,75 – 100 Fps (progressive) HD, 2K
0,75 – 60 Fps 4K UHD & 3.2K*
MPEG-2: 23.98p, 25p, 29.97p, 50i, 59.94i
Recording Codecs (w/ embedded audio & metadata)ProRes
422 LT
Rec 2020, Rec 709, Log CRec 2020, Rec 709
LooksBasic looks (adjustable in camera)
Adjustable image parametersKnee, Gamma, Saturation, Black Gamma, Saturation by Hue
Import of custom 3D LUTs
Focus and exposure controlPeaking, Zebra, False color
WhitebalanceAuto WB
Wifi and Ethernet Camera Remote Control***
Audio monitoringHeadphone output (mini jack)
Pre Record function
Multicam interfaceMulticam interface
S16 lens modeS16 lens mode
ARRI Look Library
1.3x Anamorphic Desqueeze1.3x Anamorphic Desqueeze*
CAP Camera Acess Protocol (through ARRI partner program)CAP Camera Acess Protocol
* Requires installed 4K UHD License
** Requires installed ARRI Look Library License
*** Disclaimer: The camera operator is responsible for enabling wireless camera control. We provide password protection, but please be careful and diligent in providing this only to authorized production personnel.